NEWS

“Whenever Sarah Connolly stood up as Theodora’s companion Irene, Thomas Morell’s libretto, fusty and clunky, turned into a wonder of eloquence, even when she hit the phrase ‘viewless tents’ in the stunner aria Defend her, Heav’n. Colours, dynamics, emotional shadings: Connolly’s kaleidoscope never ended.”

Geoff Brown, The Times

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With Julius Drake (piano), and Emily Berrington (Actor) Dame Sarah Connolly offers Dominick Argento’s cycle from Woolf’s posthumously published A Writer’s Diary, and Schumann’s moving late settings of texts attributed to Mary Stuart.

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dame Sarah Connolly IN RECITAL at the WIGMORE HALL, 2019

Dame Sarah Connolly talks to Sara Mohr-Pietsch about the 'Doctor Who forcefield' method of dealing with nerves on performance days...

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BBC RADIO 3 - MUSIC MATTERS; HIDDEN VOICES AND BLUE FORCE FIELDS

Dame Sarah steps in last minute (with no prior rehearsal!) to sing in the BBC Proms Verdi Requiem, conducted by Andres Orozco-Estrada and the London Philharmonic Orchestra.

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BBC PROMS - VERDI REQUIEM

Piano: Malcolm Martineau

Viola: Jonathan Brown

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dame Sarah Connolly IN RECITAL at the Schubertíada de Vilabertran, 2018

Dame Sarah Connolly ranked among the top of London's most influential people in 2018, in Performance: Classical Music.

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EVENING STANDARD: THE PROGRESS 1000

To celebrate the release of 'A Walk with Ivor Gurney' please click on the link above for the introduction, with Nigel Short, Dame Sarah Connolly and Alexandra Wood, Leader of Aurora Orchestra.

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